Mesoamerica Collection (#3)

Pyramid of the Magician, Uxmal archeological site, Yucatan, Mexico

Temple of the Inscriptions; Palenque archeological site; Palenque National Park; Chiapas; Mexico

Central America, Belize, Cayo; Chiquibul Forest Reserve, Caracol archaeological site, view of the rear of structures A4, A5 and A6

AZTEC UNIVERSE. The Aztec hieroglyphic symbol of the movement of the universe

Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph)
ELD4918779 Montezuma II made prisoner by hernan Cortes in 1519, 19th century (lithograph) by Reid, Stephen (1873-1948); (add.info)

Hernan Cortes meeting Montezuma II in 1519, 19th century (print)
3434841 Hernan Cortes meeting Montezuma II in 1519, 19th century (print) by Gallina, Gallo (1796-1874); (add.info.: Handcoloured copperplate print by Ant)

Spanish Conquest of Mexico:meeting between Hernan Cortes and Montezuma II in 1519, 19th century (engraving)
ELD4900787 Spanish Conquest of Mexico:meeting between Hernan Cortes and Montezuma II in 1519, 19th century (engraving) by Unknown Artist

Conquest of Mexico: Cortes arresting the king Mont... European School (20th century) Conquest of Mexico
7277893 Conquest of Mexico: Cortes arresting the king Mont... European School (20th century) Conquest of Mexico: Cortes arresting the king Montezuma II, 1519, 19th century (chromo) by Unknown Artist

Pimo women, 1858 (print)
3780518 Pimo women, 1858 (print) by Unknown Artist, (19th century); (add.info.: Pimo women. Lived on the Mexican frontier)

Conquest of Mexico: Cortes arresting the king Montezuma II, 1519 (chromo)
3788704 Conquest of Mexico: Cortes arresting the king Montezuma II, 1519 (chromo) by Unknown Artist, (19th century); (add.info.: Cortez takes Montezuma prisoner (French)

Hernan Cortes meeting Montezuma II in 1519, 19th century (print)
FLO4622025 Hernan Cortes meeting Montezuma II in 1519, 19th century (print) by Gallina, Gallo (1796-1874); (add.info.: Cortes in a suit of plate armor with cloak and sash)

Hernan Cortes meeting Montezuma II in 1519, 19th century (print)
GIA4813929 Hernan Cortes meeting Montezuma II in 1519, 19th century (print) by Gallina, Gallo (1796-1874); Private Collection; (add.info.: Cortes in a suit of plate armor with cloak and sash)

Battle of Otumba (7th July 7, 1520). Confrontation between the army of the Aztecs against Spanish troops led by Hernan Cortes

Montezuma is allowed to be seen in public, by going out to his Temples... Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving

Map of the territory of New Spain. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico)

Representation of the city of Mexico (Mexico-Tenochtitlan). Divided into two neighborhoods. One called Tlatelulco (a), where most of the population lived, and the other Mexico (e)

Diego Velazquez de Cuellar (1465-1524) had the intention of ceasing Hernan Cortes. Cortes and his fleet left Cuba in haste for the coast of Mexico

History of the Conquest of Mexico
Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico, population)

Censer with the image of the god Tlaloc. Ceramic
Censer with the image of the god Tlaloc, the god of rain. Ceramic. Colima style (El Chanal). Early Postclassic Period (900-1250 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Vase decorated with human head. Ceramics, Zapotec culture (Monte Alban III). Early and Middle Classic Period (100-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Large bowl. Painted ceramic. Mixteca-Puebla style. Late Postclassic Period (1350-1520 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Vase with human figure of feline traits. Ceramic. Zapotec culture (Monte Alban III). Early and Middle Classic Period (100-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Left to right: seated male figure and seated female figure
From left to right: seated male figure and seated female figure. Painted ceramics. Nayarit style. Protoclassic Period (100 BC-250 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Plate with figurative and geometric decoration. Painted ceramic. Western culture. Late Postclassic Period (1250-1500 AD). Western Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Tripod vessel. Ceramic. Teotihuacan. Teotihuacan culture. Phase II-III (400-700 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Antropomorphic head. Head of the sacrificed. Palenque
Antropomorphic head. Head of the sacrificed. Drawn on the VIII sheet of the Excavation Memory. It was collected in 1787 by captain Antonio del Rio in Palenque, Chiapas, Mexico. Maya culture

Fragment of relief. It depicts the leg of the priest, wearing sandal. Drawn on the XI sheet of the Excavation Memory, was collected in 1787 by captain Antonio del Rio in Palenque, Chiapas, Mexico

Figure with removable front, Teotihuacan Culture (ceramic)
XBP394483 Figure with removable front, Teotihuacan Culture (ceramic) by Pre-Columbian; height: 20.3 cm; American Museum of Natural History, New York, USA; Photo © Boltin Picture Library

Figure of a masked priest in a ceremony, from the Isle of Jaina (earthenware)
XBP232305 Figure of a masked priest in a ceremony, from the Isle of Jaina (earthenware) by Mayan; Private Collection; Photo © Boltin Picture Library

The Spanish move inland to encounter snow on the road, 1698 (oil on cork) (detail)
IND388223 The Spanish move inland to encounter snow on the road, 1698 (oil on cork) (detail) by Gonzalez, Miguel (fl.1698); Museo de America, Madrid, Spain; (add.info.: Spanish conquest of Mexico)

Battle of Panama, 1726 (engraving)
IND388226 Battle of Panama, 1726 (engraving) by Spanish School, (18th century); Biblioteca Universidad, Barcelona, Spain; (add.info.: Arias de Acevedo leads the vanguard of Panama)

Cortes at the feet of Martin de Valencia (hand-coloured engraving)
IND388232 Cortes at the feet of Martin de Valencia (hand-coloured engraving) by French School, (19th century); Private Collection; (add.info)

Four Spaniards divscover Aztec treasure but do not plunder it, 1698 (oil on cork) (detail)
IND388224 Four Spaniards divscover Aztec treasure but do not plunder it, 1698 (oil on cork) (detail) by Anonymous; 205x121 cm; Museo de America, Madrid, Spain; (add.info.: Spanish conquest of Mexico)

Lintel, Late Classic period (600-900 AD) (stone)
JPC352268 Lintel, Late Classic period (600-900 AD) (stone) by Mayan; Bonampak, Chiapas State, Mexico; (add.info.: One of three lintels that describe the historic chronology of the site; depicts)

Lintel, Late Classic period (600-900 AD) (stone)
JPC352267 Lintel, Late Classic period (600-900 AD) (stone) by Mayan; Bonampak, Chiapas State, Mexico; (add.info.: One of three lintels that describe the historic chronology of the site; Depicts)

Chichen-Itza. Creator: Joshua Johnston
Chichen-Itza

Belize. Sunrise over the Caribbean Ocean

Ms Hunter 242 f. 258v and f. 259r, from Historia de Tlaxcala
3957942 Ms Hunter 242 f.258v and f.259r, from Historia de Tlaxcala by Diego Munoz Camargo (pen & ink on paper) by Mexican School, (16th century); Glasgow University Library

Costumed Figure from Mexico, 7th-8th century (ceramic, pigment)
3472325 Costumed Figure from Mexico, 7th-8th century (ceramic, pigment) by Mayan (6th-8th century); 29.3 high cm; Metropolitan Museum of Art, New York

Seated Figure, Oaxaca, 300 BC-700 AD (ceramic)
3822508 Seated Figure, Oaxaca, 300 BC-700 AD (ceramic) by Zapotec; 32.2x17.9x18.8 cm; Cleveland Museum of Art, OH, USA; (add.info)

Relief with Enthroned Ruler, c. 770 AD (painted limestone)
3525775 Relief with Enthroned Ruler, c.770 AD (painted limestone) by Mayan, (8th century AD); 88.9x87.6x7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Guatemalan or Mexican, c. A.D)

Anthropomorphic Plaque, Possibly the Fire Serpent, Preclassic period
1764381 Anthropomorphic Plaque, Possibly the Fire Serpent, Preclassic period, 800-400 BC (serpentine & cinnabar) by Prehistoric; 23.5x14x1.9 cm; Dallas Museum of Art, Texas

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Mesoamerica: A Tapestry of History and Resilience From the ancient civilizations that thrived in Mesoamerica to the modern-day struggles for justice, this region has witnessed remarkable events that have shaped its vibrant tapestry. In 1968, during the Olympic Games held in Mexico City, American runners Tommie Smith and John Carlos boldly raised their fists in a Black Power salute during the medal ceremonies. Their powerful gesture resonated worldwide, while Australian Peter Norman stood beside them wearing an OPHR badge, displaying solidarity against racial inequality. Diego Rivera's murals at the Ministry of Public Education capture both the solemnity and celebration of Mesoamerican culture. His mural depicting "Day of the Dead" showcases a rich tradition where life and death intertwine harmoniously. Another masterpiece portrays pre-Columbian life, specifically highlighting Zapotec civilization's contributions to Mexican heritage. The colored woodcut from 1556 offers a glimpse into Tenochtitlan (now Mexico City) at the time of Spanish conquest—a city brimming with architectural marvels and cultural richness that would forever be altered by European colonization. The cry for revolution echoed through Miguel Hidalgo's call to revolt on September 16th, 1810—the spark igniting Mexico's fight for independence. Juan O Gorman immortalized this historic moment in his mural capturing Hidalgo's impassioned plea. Mexican kitchens have long been hubs of culinary artistry and cultural preservation. An unknown artist beautifully depicts two women diligently working amidst pots and pans—an ode to their invaluable role in sustaining traditions. Rivera also pays tribute to educators with his portrayal of "The Rural School Teacher. " This mural symbolizes education as a catalyst for progress—empowering generations with knowledge and shaping brighter futures. Francisco Pancho Villa emerges as an indomitable figure within Mexican history—a revolutionary leader who fought tirelessly alongside his military staff during the Mexican Revolution.