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Fine Art Print : Can t We Come Too? by Cecil Aldin
Fine Art Prints from Mary Evans Picture Library
Can t We Come Too? by Cecil Aldin
Can t We Come Too? Woggles Series LVI. A spaniel and a Sealyham terrier cast pleading looks at their owner as a pile of luggage indicates to them they are being abandoned for a time. Date: 1932
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14351963
© Illustrated London News Ltd/Mary Evans
Aldin Beseeching Cecil Luggage Pleading Puppies Puppy Sealyham Spaniel Suitcase Suitcases Terrier Terriers
20"x16" (+3" Border) Fine Art Print
Experience the timeless charm of Cecil Aldin's 'Can't We Come Too?' from the Media Storehouse Fine Art Prints collection. This beloved piece from the Woggles Series LVI, published in 1932, captures the heartfelt pleas of a spaniel and a Sealyham terrier as they are left behind with a pile of luggage, indicating their owners' departure. Bring the nostalgic allure of this classic artwork into your home or office with our high-quality, rights-managed fine art prints from Mary Evans Prints Online. Each print is meticulously produced to ensure vibrant colors and intricate details, making it a cherished addition to any space.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.5cm (16" x 19.9")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Can't We Come Too?", a charming and heartwarming illustration by the renowned English artist Cecil Aldin, captures the essence of unspoken canine communication. In this 1932 piece from the "Woggles" series, LVI, we find ourselves in the midst of a poignant moment between a spaniel and a Sealyham terrier, as they cast pleading looks at their owner. The scene is set in a cozy, cluttered room filled with the telltale signs of imminent departure – a pile of luggage and suitcases, their handles firmly gripped by an absent human figure. The spaniel, with its expressive eyes and drooping ears, gazes up at its owner with a look of deep sadness and longing. Its body language speaks volumes – the tilt of its head, the slightly open mouth, and the relaxed, submissive posture all convey a sense of disappointment and abandonment. By the side of the spaniel, a Sealyham terrier, with its distinctive wiry coat and alert expression, mirrors the spaniel's emotions. Its eyes are fixed on its owner, its body language echoing that of its companion. The two dogs' bond is palpable, their shared desire to accompany their beloved master on this journey a testament to the deep connection between humans and their canine companions. Cecil Aldin's mastery of capturing the nuances of canine emotion is evident in this beautiful illustration. The warm, muted colors, the intricate details of the dogs' coats, and the subtle textures of the luggage all contribute to a rich, evocative image that resonates with anyone who has ever felt the pang of separation from a cherished pet.
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