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Recognition Collection (#2)

"Recognition: A Journey Through Time and Moments of Significance" The King of Kings: In the presence of greatness, recognition takes on a whole new meaning

Background imageRecognition Collection: The Citys Recognition of the Royal Colonial Tour (litho)

The Citys Recognition of the Royal Colonial Tour (litho)
1628729 The Citys Recognition of the Royal Colonial Tour (litho) by Stewart, Allan (1865-1951); Private Collection; (add.info.: The Citys Recognition of the Royal Colonial Tour)

Background imageRecognition Collection: The recognition during the ceremony of the Coronation of King George VI in Westminster Abbey

The recognition during the ceremony of the Coronation of King George VI in Westminster Abbey, London (colour litho)
5236331 The recognition during the ceremony of the Coronation of King George VI in Westminster Abbey, London (colour litho) by Brewer

Background imageRecognition Collection: Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas)

Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas)
LSE746380 Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); Musee des Beaux-Arts, La Rochelle

Background imageRecognition Collection: Feline Reflections, (oil on canvas)

Feline Reflections, (oil on canvas)
651188 Feline Reflections, (oil on canvas) by Laur, Marie Yvonne (1879-1943); 46x55 cm; Private Collection; (add.info.: Feline Reflections. Marie Yvonne Laur (1879-1943). Oil on canvas

Background imageRecognition Collection: The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi

The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi
5889638 The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi, 1788 (stipple engraving) by Rigaud, John Francis (1742-1810); 43.2A--33.6 cm; Rijksmuseum, Amsterdam

Background imageRecognition Collection: The Coronation of His Majesty George IV, taken at the time of the Recognition

The Coronation of His Majesty George IV, taken at the time of the Recognition, 19 July 1821 (coloured engraving)
584573 The Coronation of His Majesty George IV, taken at the time of the Recognition, 19 July 1821 (coloured engraving) by Stephanoff

Background imageRecognition Collection: A dreadful recognition (colour litho)

A dreadful recognition (colour litho)
2800141 A dreadful recognition (colour litho) by McCormick, Arthur David (1860-1943); Private Collection; (add.info.: A dreadful recognition)

Background imageRecognition Collection: 'Old Chums', in the Exhibition of the Royal Society of British Artists (engraving)

"Old Chums", in the Exhibition of the Royal Society of British Artists (engraving)
1596870 " Old Chums", in the Exhibition of the Royal Society of British Artists (engraving) by Cook, Theodore Flavel (1857-1911); Private Collection; (add.info.: " Old Chums")

Background imageRecognition Collection: The Scottish Knight on one knee watched as the veiled nuns walked past

The Scottish Knight on one knee watched as the veiled nuns walked past
STC308595 The Scottish Knight on one knee watched as the veiled nuns walked past, illustration for The Talisman: A Tale of the Crusaders by Sir Walter Scott (colour litho) by Vedder

Background imageRecognition Collection: Sir Gawaine knoweth the shield of Sir Launcelot, illustration from

Sir Gawaine knoweth the shield of Sir Launcelot, illustration from
STC335769 Sir Gawaine knoweth the shield of Sir Launcelot, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle

Background imageRecognition Collection: Joseph allows himself to be recognised by his brothers, illustration from a catechism

Joseph allows himself to be recognised by his brothers, illustration from a catechism
REV326565 Joseph allows himself to be recognised by his brothers, illustration from a catechism L Histoire Sainte, published by Charles Delagrave, Paris

Background imageRecognition Collection: The Supper at Emmaus (oil on canvas)

The Supper at Emmaus (oil on canvas)
5918326 The Supper at Emmaus (oil on canvas) by Bassano, Jacopo (J. da Ponte) (1510-92) & Bassano, Francesco (F. da Ponte) (1549-92)

Background imageRecognition Collection: Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy

Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy
1199649 Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy, is recognized by Queen Nushaba, Shiraz, Iran, 1650-1700 (pigment & gold on paper) by Persian School

Background imageRecognition Collection: 101st US Airborne Memorial Gift to the Dutch

101st US Airborne Memorial Gift to the Dutch
The Memorial, which is in Sint Oedenrode, was initiated and funded by 101st Airborne veterans in recognition of the Dutch resistance against the Germans

Background imageRecognition Collection: Janet Hogarth at Encyclopedia Britannica dinner 1910

Janet Hogarth at Encyclopedia Britannica dinner 1910
Janet Hogarth speaking at an Encyclopedia Britannica dinner held to celebrate the contribution of women to the recent completion of the eleventh edition

Background imageRecognition Collection: Odysseus recognised by his nurse, illustration from History of Greece by Victor Duruy

Odysseus recognised by his nurse, illustration from History of Greece by Victor Duruy
LLM438565 Odysseus recognised by his nurse, illustration from History of Greece by Victor Duruy, published 1890 (digitally enhanced image) by American School

Background imageRecognition Collection: Homage to King Philip II (1165-1223) from Simon de Montfort (c

Homage to King Philip II (1165-1223) from Simon de Montfort (c
ARH176883 Homage to King Philip II (1165-1223) from Simon de Montfort (c.1160-1218) for the territories confiscated from Raymond VI (1197-1249) c.1216 (vellum) by French School

Background imageRecognition Collection: Joseph Revealing his Identity to his Brothers (oil on canvas)

Joseph Revealing his Identity to his Brothers (oil on canvas)
AGN252218 Joseph Revealing his Identity to his Brothers (oil on canvas) by Giaquinto, Corrado (1690-1765); 48x38 cm; Private Collection; Photo eAgnew s, London; Italian, out of copyright

Background imageRecognition Collection: King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)

King Charles VII of France knighting Joan of Arc, 1429 (chromolitho)
2817169 King Charles VII of France knighting Joan of Arc, 1429 (chromolitho) by French School, (19th century); Private Collection; (add.info.: King Charles VII of France knighting Joan of Arc, 1429)

Background imageRecognition Collection: A Recognition (engraving)

A Recognition (engraving)
1603812 A Recognition (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: A Recognition. Illustration for The Illustrated London News, 17 December 1892)

Background imageRecognition Collection: A Recognition of the Fourth Estate (engraving)

A Recognition of the Fourth Estate (engraving)
1603476 A Recognition of the Fourth Estate (engraving) by English School, (19th century); Private Collection; (add.info.: A Recognition of the Fourth Estate)

Background imageRecognition Collection: Scout Patrol signs, 1929 (colour litho)

Scout Patrol signs, 1929 (colour litho)
498710 Scout Patrol signs, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: Scout Patrols are named after different birds and animals)

Background imageRecognition Collection: Pilgrims in Emmaus (black and white chalk and sanguine)

Pilgrims in Emmaus (black and white chalk and sanguine)
BOO73763 Pilgrims in Emmaus (black and white chalk and sanguine) by Boucher, Francois (1703-70); 32.8x27.8 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageRecognition Collection: The Conservative Programme (engraving)

The Conservative Programme (engraving)
2777117 The Conservative Programme (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: The Conservative Programme. Cartoon, 6 July 1872)

Background imageRecognition Collection: Between the King and a winemaker by Palombara Sabina, and you, excuse me

Between the King and a winemaker by Palombara Sabina, and you, excuse me, His Majesty the King of Italy? (colour litho)
2815453 Between the King and a winemaker by Palombara Sabina, and you, excuse me, His Majesty the King of Italy? (colour litho) by Beltrame

Background imageRecognition Collection: First recognition of the Stars and Stripes, 14th February 1778 (oil on canvas)

First recognition of the Stars and Stripes, 14th February 1778 (oil on canvas)
PNP328664 First recognition of the Stars and Stripes, 14th February 1778 (oil on canvas) by Moran, Edward (1829-1901); Private Collection; (add.info.: John Paul Jones (1747-92)

Background imageRecognition Collection: Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII

Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII
STC415881 Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageRecognition Collection: Yea, verily, thou art Odysseus, illustration from The Story of Greece

Yea, verily, thou art Odysseus, illustration from The Story of Greece
STC306473 Yea, verily, thou art Odysseus, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print) by Crane

Background imageRecognition Collection: What? Do you not recognise her? (litho)

What? Do you not recognise her? (litho)
1092337 What? Do you not recognise her? (litho) by French School, (19th century); Private Collection; (add.info.: What? Do you not recognise her)

Background imageRecognition Collection: Joseph allows himself to be recognised by his brothers, from the

Joseph allows himself to be recognised by his brothers, from the
BEN138689 Joseph allows himself to be recognised by his brothers, from the Sala dei Dugento, 1546-53 (tapestry) by Bronzino, Agnolo (1503-72) & Karcher

Background imageRecognition Collection: The recognition (engraving)

The recognition (engraving)
5995126 The recognition (engraving) by English School, (19th century); Private Collection; (add.info.: The recognition. Illustration for The World of Adventure)

Background imageRecognition Collection: An Echo of Summer Holidays (colour litho)

An Echo of Summer Holidays (colour litho)
6001233 An Echo of Summer Holidays (colour litho) by Granville-Smith, Walter (1870-1938); Private Collection; (add.info.: An Echo of Summer Holidays)

Background imageRecognition Collection: Coronations of English Sovereigns, King Alfred the Great (litho)

Coronations of English Sovereigns, King Alfred the Great (litho)
1629269 Coronations of English Sovereigns, King Alfred the Great (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Coronations of English Sovereigns)

Background imageRecognition Collection: The Testimonial to Mr Walter Gilbey in Recognition of his Efforts for the Improvement of

The Testimonial to Mr Walter Gilbey in Recognition of his Efforts for the Improvement of Horsebreeding (engraving)
1062335 The Testimonial to Mr Walter Gilbey in Recognition of his Efforts for the Improvement of Horsebreeding (engraving) by English School

Background imageRecognition Collection: News for William III (engraving)

News for William III (engraving)
965775 News for William III (engraving) by French School, (19th century); Private Collection; (add.info.: News for William III)

Background imageRecognition Collection: Christ at Emmaus: The Smaller Plate, 1634 (etching & drypoint)

Christ at Emmaus: The Smaller Plate, 1634 (etching & drypoint)
1069895 Christ at Emmaus: The Smaller Plate, 1634 (etching & drypoint) by Rembrandt Harmensz. van Rijn (1606-69); 10.2x7.3 cm; Dallas Museum of Art, Texas

Background imageRecognition Collection: Mr Ayerst Henham Hooker (engraving)

Mr Ayerst Henham Hooker (engraving)
1044667 Mr Ayerst Henham Hooker (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Ayerst Henham Hooker)

Background imageRecognition Collection: Waterloo Medal, one of two medals awarded to Surgeon William Jones, 1815 (silver)

Waterloo Medal, one of two medals awarded to Surgeon William Jones, 1815 (silver)
3062519 Waterloo Medal, one of two medals awarded to Surgeon William Jones, 1815 (silver) by English School, (19th century); National Army Museum, London; (add.info.: Waterloo Medal 1815)

Background imageRecognition Collection: Scene from Modest Mussorgskys opera Boris Godunov (chromolitho)

Scene from Modest Mussorgskys opera Boris Godunov (chromolitho)
2788766 Scene from Modest Mussorgskys opera Boris Godunov (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Modest Mussorgskys opera Boris Godunov)

Background imageRecognition Collection: Return from the Long Crusade, 1861 (w / c on paper)

Return from the Long Crusade, 1861 (w / c on paper)
PNH368270 Return from the Long Crusade, 1861 (w/c on paper) by Scott, William Bell (1811-90); 27.3x21 cm; Private Collection; (add.info)

Background imageRecognition Collection: Scout Patrol Signs, 1929 (colour litho)

Scout Patrol Signs, 1929 (colour litho)
498711 Scout Patrol Signs, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: Scout Patrols are named after different birds and animals)

Background imageRecognition Collection: The Plinth and the Bust: famous French artists soliciting fame for the right to occupy the empty

The Plinth and the Bust: famous French artists soliciting fame for the right to occupy the empty plinth awaiting
6031063 The Plinth and the Bust: famous French artists soliciting fame for the right to occupy the empty plinth awaiting the bust of a great man (litho) by Leandre

Background imageRecognition Collection: The Citys Recognition of the Royal Colonial Tour (engraving)

The Citys Recognition of the Royal Colonial Tour (engraving)
1628730 The Citys Recognition of the Royal Colonial Tour (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The Citys Recognition of the Royal Colonial Tour)

Background imageRecognition Collection: The Citys Recognition of the Royal Colonial Tour (engraving)

The Citys Recognition of the Royal Colonial Tour (engraving)
1628728 The Citys Recognition of the Royal Colonial Tour (engraving) by Cleaver, Ralph (fl.1902); Private Collection; (add.info.: The Citys Recognition of the Royal Colonial Tour)

Background imageRecognition Collection: Recognition of the Republic of Brazil by Great Britain (engraving)

Recognition of the Republic of Brazil by Great Britain (engraving)
1596926 Recognition of the Republic of Brazil by Great Britain (engraving) by English School, (19th century); Private Collection; (add.info.: Recognition of the Republic of Brazil by Great Britain)

Background imageRecognition Collection: Masked Balls (coloured engraving)

Masked Balls (coloured engraving)
977944 Masked Balls (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Masked Balls. Illustration from the Petit Journal pour Rire.); © Look and Learn

Background imageRecognition Collection: The Presentation of Medals to Guardsmen on the Horse Guards Parade in Recognition of their Bravery

The Presentation of Medals to Guardsmen on the Horse Guards Parade in Recognition of their Bravery at the Recent Fire
1062266 The Presentation of Medals to Guardsmen on the Horse Guards Parade in Recognition of their Bravery at the Recent Fire at Wellington Barracks (engraving) by English School

Background imageRecognition Collection: Noli Me Tangere [verso], c. 1600. Creator: Unknown

Noli Me Tangere [verso], c. 1600. Creator: Unknown
Noli Me Tangere [verso], c. 1600



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"Recognition: A Journey Through Time and Moments of Significance" The King of Kings: In the presence of greatness, recognition takes on a whole new meaning. Met Police officers during Grunwick dispute: Brave souls who stood up for justice, their unwavering dedication deserves recognition. Naked little girl looking in the mirror: Self-reflection unveils our true selves, seeking recognition from within. Colonel Redvers Buller at Inhlobane, Zulu War, 1879: Courageous leaders like Buller deserve recognition for their valiant efforts in times of war. Types of German aeroplanes, World War One: Recognition becomes crucial when identifying friend or foe amidst the chaos of battle. Ulysses Recognised by His Dog (engraving): Loyalty knows no bounds; even a dog's unconditional love seeks recognition from its master. Victoria Knights Morris: Celebrating tradition and skill through dance - these performers deserve recognition for keeping heritage alive. Seamen salute the resting place of USS Lexington: Paying homage to fallen heroes demands respect and heartfelt recognition. Police guarding Liverpool Station during transport strike: Amidst turmoil and unrest, recognizing those who protect us is essential for societal harmony. Doctor doing a thoracic and abdominal recognition of a patient: Medical professionals' keen eye for detail ensures accurate diagnosis - their expertise warrants appreciation and recognition. Aircraft Recognition Drawing Book Cover: Identifying aircrafts accurately requires knowledge and attention to detail - this book cover symbolizes the importance of visual identification skills deserving due acknowledgment. British Red Cross Society Facsimile : Humanitarian efforts that extend beyond borders deserve global admiration - let's recognize those who selflessly serve others with compassion. In every moment captured throughout history or witnessed in our daily lives, there lies an opportunity to acknowledge individuals or events that deserve recognition.