Middle Aged Collection (#9)

Making Ready, 1917 (oil on canvas)
1767634 Making Ready, 1917 (oil on canvas) by Ufer, Walter (1876-1936); 76.2x91.4 cm; Private Collection; (add.info.: Making Ready. Walter Ufer (1876-1936). Oil on canvas. Painted in 1917

A Memory - In the Italian Villa, (oil on canvas)
984885 A Memory - In the Italian Villa, (oil on canvas) by Chase, William Merritt (1849-1916); 73.6x91.4 cm; Private Collection; (add.info.: A Memory - In the Italian Villa)

Vanity, (oil on canvas)
827100 Vanity, (oil on canvas) by Brunery, Francesco (1845-1926); 56.5x47 cm; Private Collection; (add.info.: Vanity. Francois Brunery (1849-1926). Oil on canvas

A Group Portrait of the Chambers Family, (oil on canvas)
824202 A Group Portrait of the Chambers Family, (oil on canvas) by Seton, John Thomas (c.1735-1806); 95x124.5 cm; Private Collection; (add.info.: A Group Portrait of the Chambers Family)

The Musician, (oil on canvas on board)
826700 The Musician, (oil on canvas on board) by O Kelly, Aloysius C. (1853-1941); 39.3x50.8 cm; Private Collection; (add.info.: The Musician. Aloysius O Kelly (1853-1941)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

Woman with a Parasol, c. 1906 (oil on canvas)
823106 Woman with a Parasol, c.1906 (oil on canvas) by Frieseke, Frederick Carl (1874-1939); 80.9x64.8 cm; Private Collection; (add.info.: Woman with a Parasol. Frederick Carl Frieseke (1874-1939)

Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper)
827589 Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85); 18.4x15.3 cm; Private Collection; (add.info)

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

Man and Dog (Portrait of a German Painter);L Homme au Chein (Portrait d
825347 Man and Dog (Portrait of a German Painter); L Homme au Chein (Portrait d un Peintere Allemand), 1912 (oil on canvas) by Pascin

In Florida; En Floride, c. 1917 (watercolour, pen and india ink on buff paper)
825162 In Florida; En Floride, c.1917 (watercolour, pen and india ink on buff paper) by Pascin, Jules (1885-1930); 19.4x27.9 cm; Private Collection; (add.info.: In Florida; En Floride)

The Marriage of the Virgin (oil on canvas)
824883 The Marriage of the Virgin (oil on canvas) by Cuzco School, (18th century); 92.4x121.3 cm; Private Collection; (add.info.: The Marriage of the Virgin. Cuzco School (18th Century)

Admiring the Baby, (oil on canvas)
827361 Admiring the Baby, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 127x91.5 cm; Private Collection; (add.info.: Admiring the Baby. George Goodwin Kilburne (1839-1924). Oil on canvas

A Quiet Afternoon, (watercolour and gouache)
827347 A Quiet Afternoon, (watercolour and gouache) by Blommers or Bloomers, Bernardus Johannes (1845-1914); 29.3x37.9 cm; Private Collection; (add.info.: A Quiet Afternoon)

Defeathering Chickens - Late Morning Summer in Brittany
827282 Defeathering Chickens - Late Morning Summer in Brittany; Plumeuses de Poulet - Apres Midi d Ete Bretagne (oil on canvas) by Herland

The Academic, (oil on panel)
827274 The Academic, (oil on panel) by Portielje, Gerard (1856-1929); 32.3x40 cm; Private Collection; (add.info.: The Academic. Gerard Jozef Portielje (1856-1929). Oil on panel

Street Scene in Damascus, 1861 (oil on canvas)
827272 Street Scene in Damascus, 1861 (oil on canvas) by Pasini, Alberto (1826-99); 61x50.8 cm; Private Collection; (add.info.: Street Scene in Damascus. Alberto Pasini (1826-1899). Oil on canvas

Fine Lace, 1877 (oil on panel)
827181 Fine Lace, 1877 (oil on panel) by Masriera y Manovens, Francisco (1842-1902); 52.7x65.1 cm; Private Collection; (add.info.: Fine Lace. Francisco Masriera y Manovens (1842-1902). Oil on panel

Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille)
827149 Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille) by Dicksee, Frank (1853-1928); 31.1x43.9 cm; Private Collection; (add.info.: Scenes from Romeo and Juliet)

A Gentleman of Louis XVIII; Un Gentilhomme de Louis XVIII, (oil on panel)
827117 A Gentleman of Louis XVIII; Un Gentilhomme de Louis XVIII, (oil on panel) by Roybet, Ferdinand (1840-1920); 81.2x67.3 cm; Private Collection; (add.info)

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright

Voice of Silence, 1907 (oil on canvas)
1195883 Voice of Silence, 1907 (oil on canvas) by Zarubin, Viktor Ivanovich (1866-1928); 72x89.5 cm; Private Collection; (add.info.: Zarubin)

The Cossack Ball, 1924 (pencil, w / c & gouache on card)
1195791 The Cossack Ball, 1924 (pencil, w/c & gouache on card) by Somov, Konstantin Andreevic (1869-1939); 22.7x17.2 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Persian Horse Dealer, Bombay, 1880s (oil on canvas)
1197494 Persian Horse Dealer, Bombay, 1880s (oil on canvas) by Weeks, Edwin Lord (1849-1903); 80.4x100.4 cm; Private Collection; Photo eChristies Images; American, out of copyright

Farewell, 1893 (oil on canvas)
1195686 Farewell, 1893 (oil on canvas) by Bogdanov-Belsky, Nikolai Petrovich (1868-1945); 90.5x126.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Russian Soldiers Accompanying a Priest on Horseback, (w / c on paper)
1195652 Russian Soldiers Accompanying a Priest on Horseback, (w/c on paper) by Opitz, Georg Emanuel (1775-1841); 37.5x29.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Count John McCormack (1884-1945), 1923 (oil on canvas)
1197049 Count John McCormack (1884-1945), 1923 (oil on canvas) by Orpen, William (1878-1931); 104x86.4 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Figure of a Standing Man, c. 1872-1875 (pencil on paper)
1195582 Figure of a Standing Man, c. 1872-1875 (pencil on paper) by Repin, Ilya Efimovich (1844-1930); 21.5x18.1 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Portrait of Lieutenant-General Sir Thomas Graham, K. B. later 1st Baron Lynedoch
1195526 Portrait of Lieutenant-General Sir Thomas Graham, K.B. later 1st Baron Lynedoch (1748-1843). (Oil on canvas) by Lawrence

Portrait of Margaret Belasyse, in a Black Dress, with a Pearl Necklace
1195523 Portrait of Margaret Belasyse, in a Black Dress, with a Pearl Necklace, and a Book in her Right Hand (oil on panel) by Gheeraerts

The Death of the Virgin (oil on panel)
659382 The Death of the Virgin (oil on panel) by Multscher, Hans (c.1400-67) (attr.to); 69.2x48.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas)
659301 A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas) by Ostade, Adriaen Jansz. van (1610-85); 28.3x22.8 cm; Private Collection; (add.info)

The Penance of the Duchess of Gloucester, 1902
659008 The Penance of the Duchess of Gloucester, 1902 () by Davis, Frederick William (1862-1919); 84.4x158.2 cm; Private Collection; (add.info.: The Penance of the Duchess of Gloucester)

The Print Collectors, (oil on canvas)
658552 The Print Collectors, (oil on canvas) by Brunery, Francesco (1845-1926); 61x49.5 cm; Private Collection; (add.info.: The Print Collectors. Francois Brunery (1849-1926). Oil on canvas

Near Perugia, 1870 (oil on board)
650681 Near Perugia, 1870 (oil on board) by Vedder, Elihu (1836-1923); 21.4x34 cm; Private Collection; (add.info.: Near Perugia. Elihu Vedder (1836-1923). Oil on board. Signed and dated 1870

A Dutch Academy, (pencil, pen and ink and watercolour)
651935 A Dutch Academy, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 18.7x28.6 cm; Private Collection; (add.info.: A Dutch Academy. Thomas Rowlandson (1756-1827)

The Apple of His Eye, 1910 (oil on panel)
659108 The Apple of His Eye, 1910 (oil on panel) by Kauffmann, Hugo (1844-1915); 25x14 cm; Private Collection; (add.info.: The Apple of His Eye. Hugo Wilhelm Kauffmann (1844-1915). Oil on panel

The Appeal, (oil on canvas)
659105 The Appeal, (oil on canvas) by Erdmann, Otto (1834-1905); 112.4x144.8 cm; Private Collection; (add.info.: The Appeal. Otto Erdmann (1834-1905). Oil on canvas

His Favourite Bin; and Testing the Vintage, (oil on canvas)
658696 His Favourite Bin; and Testing the Vintage, (oil on canvas) by Sadler, Walter Dendy (1854-1923); 76x58.5 cm; Private Collection; (add.info.: His Favourite Bin; and Testing the Vintage)

Reconcilable Differences, (oil on canvas)
658655 Reconcilable Differences, (oil on canvas) by Laissement, Henri-Adolphe (c.1854-1921); 89x117 cm; Private Collection; (add.info.: Reconcilable Differences. Henri-Adolphe Laissement (1854-1921)

The Guitar Lesson, (oil on board)
658449 The Guitar Lesson, (oil on board) by Worms, Jules (1832-1914); 51x61 cm; Private Collection; (add.info.: The Guitar Lesson. Jules Worms (1832-1914). Oil on board

A Quiet Moment, (pencil and watercolour heightened with white on board)
652107 A Quiet Moment, (pencil and watercolour heightened with white on board) by Strachan, Arthur Claude (1865-1935); 45.1x27.3 cm; Private Collection; (add.info.: A Quiet Moment)

Fish Vendor; Il Venditore di Pesce, (oil on canvas)
651443 Fish Vendor; Il Venditore di Pesce, (oil on canvas) by Landini, Andrea (1847-1912); 60.7x49.9 cm; Private Collection; (add.info.: Fish Vendor; Il Venditore di Pesce)

The Statute Fair, 1859 (oil on canvas)
659802 The Statute Fair, 1859 (oil on canvas) by O Neill, George Bernard (1828-1917); 91.5x169 cm; Private Collection; (add.info.: The Statute Fair. George Bernard O Neill (1828-1917). Oil on canvas

A Flower Market, France, 1900 (pencil and watercolour heightened with white)
659792 A Flower Market, France, 1900 (pencil and watercolour heightened with white) by Glendening, Alfred, Jr. (1861-1907); 60.5x91.5 cm; Private Collection; (add.info.: A Flower Market, France)

The Ploughman Wilmington Polegate, Near Eastbourne, (pencil and watercolour)
659760 The Ploughman Wilmington Polegate, Near Eastbourne, (pencil and watercolour) by Swanwick, Joseph Harold (1866-1929); 59.8x105 cm; Private Collection; (add.info)

Fisherman Returning Home, Skagen, 1885 (oil on canvas)
659566 Fisherman Returning Home, Skagen, 1885 (oil on canvas) by Kroyer, Peder Severin (1851-1909); 150x114 cm; Private Collection; (add.info.: Fisherman Returning Home, Skagen)

Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red
659254 Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red, yellow and white chalk, on faded blue paper) by Barocci or Baroccio

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"Capturing the Essence of Middle Age: A Glimpse into Art and History" In this captivating collection, we embark on a journey through time and explore the multifaceted nature of middle age. From Sigmund Freud's enigmatic gaze in a sepia-toned photograph to the lively brushstrokes depicting "The Wedding Dance, " each piece offers a unique perspective on this pivotal stage of life. Amidst vibrant blooms portrayed in "Flower Power; Marchande de Fleurs, " we witness the resilience and beauty that often accompany middle age. Meanwhile, "A Peep at the Train, India" transports us to distant lands, reminding us that adventure knows no bounds when it comes to embracing new experiences during this phase. British jockeys immortalized in 1934 reveal an unwavering passion for their craft, showcasing how dedication can endure well into one's mature years. Similarly, Abraham Lincoln's signed carte-de-visite from 1864 serves as a poignant reminder that wisdom and leadership are not limited by age but rather enhanced by experience. "The Jewel Box" invites us to delve into our own inner treasures as we navigate middle age—a period marked by introspection and self-discovery. In contrast, "Naomi and Ruth" captures the enduring bond between generations, highlighting the importance of family ties during this transformative chapter. Charles Regan's depiction reminds us that even within scientific pursuits like ichthyology lies untapped potential for exploration at any stage of life. Meanwhile, "Portrait of Captain Marshall Roberts" portrays strength and authority—qualities often associated with those who have reached middle age—and exemplifies mastery honed over time. As day turns into twilight on Le Boulevard St. Denis in gouache form, figures bustling about symbolize both vibrancy and contemplation—an allegory for navigating change while preserving one's essence amidst shifting times.